/updates
Q&A with Madeline Hope Stephenson
“I wanted to tell a story that revealed that chaos, and I wanted to do it was simply as possible. I chose Old Hollywood because perfection of the frame was everything back then.”
Q&A with the filmmakers behind 'Goodbye, Brooklyn'
“It all started from this story Michelle told me about how when she moved, she went to say goodbye to her local dry cleaner. She brought him a present and gave him a hug…”
Q&A with Nick Borenstein
“I guess you could say the development of 99 started when I was born. The film is inspired by the real relationship between my mother and I…”
Q&A with Steffi Tupe
I decided to make this short after reading James Joyce's short story Two Gallants from Dubliners. It inspired me to write and make this film, but about two ladies.
Q&A with Nick Borenstein
I have danced my whole life and always wanted to dance in a film. It felt like the right evolution of my work, especially as we live in a scary, intense and often, overwhelming, world.
Q&A with Andy Fisher
I don't make shorts as a means to sell a feature idea. I should! But that's not me. I like making shorts because those are the type of ideas that come out of me. Little ones.
Q&A with Tynan DeLong
It started with a Hi-8 camera. It was the first camera I had as a teenager and so I got one off eBay in 2017 to try and make shorts that captured that same "anything goes" spirit of the videos I made as a teen.
Q&A with Cidney Hue
Ovum was my response to Carrie Fisher's call to turn your heartache into art. In 2016, I started a collective with fellow sci-fi directors and we had been writing and workshopping our short narrative scripts. What would happen if our current society continued on this political decline whilst VR technology advanced?