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Q&A with Matthew Wade
“Maniac Landscapes came from a series of recurring dreams where I could hear crying, always very distant, always from a person I was never able to see, but always somehow close to me.”
The year-long creative process behind ‘Eyes at the Specter Glass’
“The sequences were looped through a series of digital filters I had created over and over, decaying each scene a bit more. This was heavily influenced by composer William Basinski’s The Disintegration Loops.“